My thoughts on violence have been
prompted by recent news items and books I’ve been reading, plus some
longstanding thoughts on the nature of human violence and/or non-violence. To
begin with, the ‘great’ Dominique Straus-Kahn was just last week revealed to
have been an active participant, while he was head of the IMF, in orgies that
would have pleased Caligula. Not only were prostitutes routinely involved, not
only were no condoms used, but Straus-Kahn himself, as his encounter with a
chambermaid in New York made plain, was distinguished mainly by his sadism. It
apparently isn’t only wild or frequent sex that tickles Straus-Kahn, but “rough
trade” as it is called. He gets off forcing women, violating women, humiliating
women.
Then
of course, there are the recurrent stories of ISIS and their apparent addiction
to violence above and beyond the call of duty, especially their by-now
notorious public beheadings. It is not enough that the leaders of ISIS indulge
in public killings of prisoners and all those caught in the net of their
successful invasions; they have apparently decided that videotaped beheadings
with a sword both add to the fear with which they are perceived, and to the
reputation that attracts supporters and fighters. And what this, in turn,
indicates is that while most of us assume that such viciousness would turn
people off, the opposite may be the case. Indicating how violent you are seems
to stimulate the affiliative gland.
And
perhaps we shouldn’t be surprised at this. The United States, after all, has
the reputation throughout the world of being the most violent nation of all.
Our citizens are armed to the teeth, possessing some 300 million firearms
according to most counts. Our foreign policy has been one of almost continuous
violence, not just in the big wars like WWI and WWII and Vietnam and Iraq, but
also in smaller wars like those in Iran, and Guatemala, and Nicaragua, and
Panama, and Chile and Cuba and Korea and just about every area of the planet.
And our weapons have also been state of the art, featuring the biggest bombs
(we’re the only nation ever to use atomic weapons), the fastest planes and
ships and vehicles, the most lethal and destructive weapons. The result of all
this “policing” has been almost universal admiration. Everyone wants to come to
America (or so we are told), everyone wants to be American, everyone wants to
be on the business end of the killing (not to mention being in the corporate
business of killing), especially now that we have weapons like drones that
virtually insulate our young killers from any danger on the battlefield.
So
while some of us may imagine that we humans have turned the corner on violence
(cf. Steven Pinker’s latest book, The
Better Angels of our Nature), it appears that the aggressive impulses of
humans are quite alive and quite well, thank you. Nature seems to thrive on
violence, and humans, like all other animals, have evolved to depend on violent
impulses that flare quickly and lethally whenever there is a perceived threat.
And this is something that most of us can understand: threats to one’s
well-being, to one’s life come often in daily affairs, and the rapid, violent
response often seems the only way to fend them off. To survive. These responses
may be tamped down in civilized settings where violence becomes the sole
prerogative of the state, but they are never fully lost. Evolution takes much
longer to change than the few years that violence and killing have ceased to be
everyday occurrences (and Jared Diamond assures us, in The World Until Yesterday, that in New Guinea and other primary
societies, this truly has been only a very few years).
What
is really at issue here, though, is the kind of gratuitous violence mentioned
above, and highlighted in Richard Flanagan’s brilliant novel about WWII POWs, The Narrow Road to the Deep North. The
novel’s hero is a Tasmanian doctor, Dorrigo Evans, who is part of a crew of
Australian POWs forced by their Japanese captors to help build the notorious 285-mile
Bangkok-to-Rangoon railroad. The Aussies’ section of the rail line—which would
come to be praised as one of the greatest engineering projects of all time, one
the Japanese finished well ahead of schedule due to their ruthless use of more
than 180,000 Asian laborers (i.e. slaves, half of whom died) and 60,000 Allied
POWs (one-fifth died)—was tasked with cutting through sheer rock with the most
primitive tools. Flanagan spares no details in describing the cruelty of the
Japanese soldiers in forcing the POWs to work, no matter how ill (from malaria,
beri beri, cholera, horrible sores and injuries), no matter how enervated from
starvation. The suffering he describes, the horrible conditions in which his
men have to live amid jungles steaming from typhoon rains, seems beyond human
endurance. And for many it is. Death is constant, a daily ritual that Flanagan
describes with an almost macabre eye. In one episode he dramatizes one of the
cremations that the POWs are forced to carry out daily to ‘bury’ their dead:
they ignite a huge pile of bamboo into a roaring pyre that is then fed with the
emaciated bodies of ten or twenty of the most recent dead. On this particular
day, the usual pastor is missing, so Colonel Evans is pressed into service to
say a few words about God, even though his true sentiments rebel:
Fuck God, he had actually wanted to
say. Fuck God for having made this world, fucked be his name, now and for
fucking ever, fuck God for our lives, fuck God for not saving us, fuck God for
not fucking being here and for not fucking saving the men burning on the
fucking bamboo. (187)
Flanagan’s
achievement lies not only in portraying the suffering of the POWs, though. It
also lies in making plain how the Japanese soldiers and officers are themselves
pressed to perform their duty for the Emperor who has decreed that the railroad
be built—this to prevent the Allied navies from decimating Japanese convoys
delivering supplies to Rangoon by sea. And so he gives us their interior
monologues, mainly their parroted pride in the Japanese spirit, “that Japanese
spirit that was soon to daily travel along their railway all the way to Burma,
the Japanese spirit that from Burma would find its way to India, the Japanese
spirit that would from there conquer the world” (95). He gives us the gruesome reflections
of Colonel Kota, about his pride and joy in having learned, again with this
Zen-type spirit, how to behead prisoners with one expertly-placed swing of his
sword. And he gives us the Japanese military’s tried-and-true method of implementing
this inexorable spirit to get the POWs to work no matter how ill, or weak, or
half dead: violence. They beat and
batter and bludgeon at the slightest slacking from work, deviation from
protocol, or respect for their masters (all POWs, according to the Japanese
military code, are contemptible for having surrendered rather than fighting to
the death). In one episode, they beat, in front of the whole company of POWs,
the sergeant Darky Gardiner, who had actually been excused to the hospital, so
debilitated and half-dead was he. No matter. He is publicly beaten for hours,
and then is so nearly dead that he falls into the open latrine where he can no
longer keep his balance, and drowns. It is at this point that Flanagan gives us
his hero’s grim vision of reality as he is now forced to see it:
For an instant he thought he grasped
the truth of a terrifying world in which one could not escape horror, in which
violence was eternal, the great and only verity, greater than the civilisations
it created, greater than any god man worshipped, for it was the only true god.
It was as if man existed only to transmit violence to ensure its domain is
eternal. For the world did not change, this violence had always existed and
would never be eradicated, men would die under the boot and fists and horror of
other men until the end of time, and all human history was a history of
violence. (221)
And though this vision is only
fleeting and does not last, it nonetheless prompts the reader to dwell upon it,
and wonder about its truth. For there can be little question that many, if not
most, of the great projects undertaken and implemented by men, by their
leaders, by their governments, have been borne on the awful shoulders of
violence. From the pyramids to the celebrated victories of generals like Caesar
or Napoleon or Eisenhower, the use and misuse of, the contempt for common men’s
bodies have been ubiquitous. For what else could get soldiers to race into
battle facing certain death; or slaves to drive their bodies to exhaustion; or
farm laborers to work amid poison pesticides; other than the threat of
violence? And the question Flanagan’s meditations inspire in us is the old one:
how many deaths is a pyramid worth? Was the building of the Siam to Burma
railroad worth the deaths of more than a hundred thousand human beings? Not to
mention the unimaginable suffering endured even by those who survived? And at
the end, was the American exultation in victory, in ‘justice’ that followed the
dropping of the atomic bombs on Hiroshima and Nagasaki worth the deaths and
horrible suffering of those who were vaporized by it?
What
is, after all, worth such a price? The truth is, we are faced even now with
this very question. The leaders we vote into office keep making these same justifications
that essentially come down to mass violence: we cannot stop global warming, we
cannot put a cap on the use of fossil fuels because our economy depends on
their use. The jobs of coal miners in Kentucky depends on their use. Free trade
depends on their use. The very engine of civilization depends on their use. But
is it worth risking the lives of thousands, millions, the entire human race if it
means that the planet heats up to the point where not just civilization but
humans as a species (not to mention god knows how many other species) can no
longer survive? What could possibly we worth that sacrifice? How many humans
must die to get our leaders, to get all of us to wake up and see that there
really is a crisis at hand?
But
of course, nature never asked that question as life evolved. Violence was
simply an integral part of the design. And as part of the design, it has
remained integral to the evolution of humans even as their ingenuity has
steadily made it more and more lethal, more and more cruel and destructive,
until we are at the point where whole species are vanishing due to its
application, where whole worlds may vanish as a consequence of its insane logic
and its peripheral effects.
So
where do we go from here? It’s anybody’s guess. One thing should be clear,
though. Devising ever more destructive, ever more violent ways to bludgeon our
way through a tottering world doesn’t seem like such a good option anymore, at
least not for humans. At least not if we want to continue.
Lawrence DiStasi
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